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Truthfully, if I had gone to see this movie without him, he might have kicked my ass for it. My boy has posters of kaiju movies lining his bedroom walls, he has dozens of action figures, models, masks, comic books, and DVDs of Godzilla movies, hell, he even writes and draws his own Godzilla comics sometimes. This time I decided to bring my 13-year-old son, who is a bona fide kaiju expert and exactly who this film is made for. Usually when I go to the cinema with the intention of writing about a film, I'm alone. However, when the plot begins to unveil itself, it's almost too ridiculous to not enjoy. The world had been without a monster attack since Stacker Pentecost sacrificed himself a decade earlier, though, so who else was left to fight? It's a strange idea that doesn't make a whole lot of sense until far too late. The first hour or so of Pacific Rim Uprising does a surprising thing by all but abandoning the basic concept of the series, leaving the Jaegers to fight among themselves without a monster in sight. In the place of the dynamic and commanding leader, Stacker Pentecost (Idris Elba), we get the smarmy Nate Lambert (Scott Eastwood, channeling a cross between a pair of smarm-pros, his father Clint and Kurt Russell), and in the place of the plucky kid with a lot of talent and not much discipline played by Charlie Hunnam in the first, we see Jake Pentecost (John Boyega), the son of the former leader and a man thoroughly uninterested in any of this crap. The newest crew of Jaeger pilots are completely different from the ones who saved the world last time, and unfortunately, those guys were always going to be difficult to replace. Things are different now, and not always in a good way. The sequel finds a world struggling to pick up the pieces from the devastation brought by the interdimensional, alien-engineered giant monsters and their battles with the man-made mechanical behemoths known as Jaegers.
PACIFIC RIM UPRISING 2018 AUSTRALIA SERIES
Black was black, white was white, and while the heroes occasionally struggled to muster up their courage, there wasn't any room for turning their backs on destiny.ĭirector Steven DeKnight, working with a trio of co-writers, including veterans of other recent genre projects like The Maze Runner series and the TV series The 100, takes a stab at the world ten years after the events of Pacific Rim. Even though del Toro's film wasn't exactly a model of considerate, nuanced filmmaking, there was a certain po-faced earnestness to the proceedings that made it work in an old-school kinda way. Pacific Rim Uprising, the somewhat troubled sequel to Guillermo del Toro's robots versus kaiju spectacular, itself released five years ago, is a film I've been trepidatious about ever since it was announced, and the promotional materials did little to assuage those nerves. I'm not going to lie, sometimes it saps the joy from what would otherwise be a fun experience, but in this world where everyone is a critic and immediate impressions are shared, often before the end credits are done rolling, we've been trained to believe that if we don't find the flaws in the work, we aren't looking hard enough. Once in a while it's good to ground oneself in this trade.Įven though I am first and foremost a movie fan, there's something about going into a press screening of a film - even one I'm pretty excited about - that forces my brain to start looking for the cracks between the brushstrokes.